An exploration of how rigidly Shakespeare adheres to iambic pentameter, examining his use of metrical variation, substitution, and the relationship between rhythm and dramatic meaning.
An analysis of Hamlet’s To Be or Not to Be soliloquy, focusing on its ethical arguments about revenge, mortality, and the paralysis of indecision.
A combined reading and analysis of the Witches’ Chant from Macbeth, focusing on how the trochaic tetrameter and rhyming couplets create an atmosphere of supernatural evil.
An experimental reggae setting of Shakespeare’s Sonnet 18, demonstrating how the poem’s themes of love and immortality translate into a contemporary musical form.