A critical examination of Hamlet’s “To Be or Not to Be” speech, arguing that it concerns the ethics of revenge rather than suicide, and exploring whether it is a genuine soliloquy or a performance for hidden listeners.
An analysis of Hamlet’s To Be or Not to Be soliloquy, focusing on its ethical arguments about revenge, mortality, and the paralysis of indecision.
A combined reading and analysis of the Witches’ Chant from Shakespeare’s Macbeth, focusing on its trochaic tetrameter and the way metre and rhythm create an atmosphere of supernatural evil.