The full text of Coleridge’s poem paired part-by-part with Gustave Doré’s 1876 engravings — hover or tap the underlined passages to see the matching image, click through to a full-size lightbox view.
A combined reading and analysis of the Witches’ Chant from Shakespeare’s Macbeth, focusing on its trochaic tetrameter and the way metre and rhythm create an atmosphere of supernatural evil.